This article explores the perceived decline in global aesthetic standards since the early 2000s, focusing on the author's subjective observations and linking them to socio-economic shifts in the United States and China. The author posits that a period of relative prosperity and cultural stability in the late 20th and early 21st centuries fostered a specific aesthetic ideal, which has subsequently been impacted by factors such as evolving social movements and economic shifts. The piece is highly opinionated and should be considered as a subjective reflection, rather than a definitive analysis.
The author claims a high point in global aesthetic standards existed roughly between the 1990s and 2008. This period, coinciding with the dissolution of the Soviet Union, the economic prosperity of the United States, and China's burgeoning economy, is presented as a time of comparative cultural stability and aesthetic refinement. The argument hinges on the idea that economic security allowed for a focus on high-quality materials and craftsmanship, particularly in fashion and design. The author's assertion that the US, having achieved a level of economic comfort, no longer felt the need to push for what they see as radical social and aesthetic change (referencing LGBTQ+ movements and racial issues) is central to this perspective. Similarly, the author argues that China's newfound wealth enabled significant investment in elaborate costumes and elaborate productions, as exemplified by the cited examples of Chinese television dramas. This period, according to the author, is marked by the use of high-quality materials, exemplified by the mention of silk and embroidery in period dramas.
The author then suggests a potential shift in aesthetic values after 2008. This shift is implicitly linked to a perceived decline in standards, but the specific reasons for this change remain vaguely defined. The author's critique centers around specific cultural and social movements, particularly mentioning the supposed role of political figures and social trends in contributing to a perceived aesthetic decline.
Critical Analysis and Considerations:
The author's perspective is highly subjective and relies heavily on anecdotal evidence, particularly from popular culture. The article lacks nuanced analysis and avoids a deeper investigation of the complexities behind aesthetic shifts. The author's claims about the role of specific political figures and social movements require substantial supporting evidence and a broader historical context. The article also presents a potentially problematic narrative that links economic prosperity to aesthetic quality, potentially overlooking the diverse and complex factors influencing aesthetic development. Ultimately, the article serves as a starting point for a more in-depth exploration of the topic, but it requires further context and a broader range of perspectives.
This perspective offers an interesting, if not entirely convincing, take on the possible reasons for a perceived change in global aesthetic preferences. However, it is crucial to remember that aesthetic judgments are inherently subjective and influenced by a multitude of factors beyond simple economic indicators. Further research and diverse viewpoints are needed to reach a more comprehensive understanding.
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