This article explores the consumption of Mainland Chinese television shows and movies by Taiwanese viewers. It examines the impact of specific shows and films, and contrasts the current market with the past, particularly in relation to collectible figures and the online marketplace.
Taiwanese audiences have long had exposure to Mainland Chinese media, though the extent of this consumption and the specific trends driving it remain complex. While direct comparisons are difficult without extensive data, the provided texts suggest a potential shift in the relationship between the two regions.
The first text, focusing on Taiwanese viewing habits, is somewhat anecdotal. The author expresses a specific interest in a particular group of shows and characters (Maodou, Mixue, and Labubu). This highlights the possibility of niche interest in certain programs, rather than widespread popularity. The lack of broader descriptive data about overall Taiwanese viewing habits makes it difficult to assess the general trend.
The second text, centered on the resale market for Pop Mart figures, offers a different perspective. It reveals that the popularity of collectible figures, and specifically the resale value of these figures on platforms like Xianyu, has changed significantly. The author's experience of purchasing a Labubu figure at a discounted price underscores the previous prevalence of reselling as a way to access popular figures. The author contrasts this past accessibility with the current market, where the majority of figures have a significantly lower resale value due to a surge in popularity amongst a specific collector demographic ("chao wan zu").
This shift in the market for collectible figures reflects broader changes in consumer behavior and trends. The emergence of a dedicated "chao wan zu" (潮玩族) or "collectible figure community" in Mainland China has likely impacted the resale market, as has the general market saturation of these figures. The author's experience demonstrates how the economics of collectible items can change over time, influenced by supply and demand, and the growth of specific consumer communities.
The texts highlight a few key areas for further research. A detailed survey of Taiwanese media consumption habits would provide a clearer picture of the current state of viewing. Further investigation into the evolving relationship between Taiwanese and Mainland Chinese media, including the factors driving popularity and trends, would provide a more nuanced understanding of the dynamic between the two regions. Finally, a deeper examination of the collectible figure market itself, including the factors contributing to the rise of the "chao wan zu" community, would provide greater insight into the broader economic and cultural implications of this trend.
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